Monday, April 15, 2024

Blue Hat or How I got from 14th century Sicily to India to Mamluk Empire is 10,000,000 easy steps

 Blue Hat or How I got from 14th century Sicily to India to Mamluk Empire is 10,000,000 easy steps:

 

Origin:

 

A million years ago (I’m very bad at time reckoning), I took a class that catapulted me into the research that would occupy me for the next amount (?) of time.  It started with the Tristan/Guicciardini Quilt.  It’s white linen with brownish and white embroidery, telling the story of Tristan and Isolde dating from the mid-14th century.  I made a version based on the story of Penthesilea that went to a nice lady named Thyra as a gift.  Even when I finished the quilt it stuck in my head.  It seemed like such a one-off item based on looking at museum databases, books, and academic papers but there had to be more out there.  Quilting is such a practical way of adding depth, strength and potentially warmth that it had to be out there.  Turns out that my instinct, for once, was correct.  Little by little I started to find other instances of quilting in a non-armor context. My first adventure was finding a bright chartreuse quilt made of silk and COVERED with ships, mythical animals, and hunters in European dress.  The Europeans stuck out because the quilt was purported to be made in India.  I kept finding more of these quilts in inventories all over, same motifs, same materials.  I then found what the Portuguese called colcha or in India, Kantha.  The ones from Bengal are yellow silk on white cotton, while the ones from Gujarat come in more colors.  Here’s the thing…how where these things getting to Europe?  Turns out my day job of international shipping would come in handy. 

 

Often, we are taught in school that silk and spices were coming from the East.  I guess I didn’t picture finished or semi-finished goods being traded.  When I looked deeper, I found a deep vein of trade networks, church run workshops (with the usual exploitation and an Inquisition I had never heard about), Habsburg gift giving and my favorite…That India was producing silk for different markets as early as the 12th century.  I’ll get back to that at some point.

 

Then I started finding these blue caps with quilted designs that were said to come from Mamluk territories.  There is almost no other information.  Some seemed to have signs of being from a funerary context (because decomposing humans do gross things to fabric) but very little else.  I found about 3 that were basically identical, only the amount of gold differed.  Compared to anything else I have found, that’s a lot of repeating items for the 12th – 15th century.  Normally I feel lucky to find one of something, let alone a catalog of identical items.  To me, this is a sign of workshops producing quilts and hats for a mass market of sorts.  What do quilts from India and hats from Egypt and the Levant have to go with each other.  I then found a paper by Dr. Sumiyo Okumura that linked the quilts to Chios which was Ottoman territory through part of this time. 

 

I had a lot of thoughts about quilts, hats, double eagles (I’ll explain at some point).  I was confused, I pulled out a map of Europe and the near east and traced the places that had these items pop up.  Looks like a lot of these items are found in the eastern Mediterranean.  Was there a regional trade in mass manufactured silk goods?  How would I explain the Indian connection?  Turns out, there is a handy trade corridor from the Mediterranean Sea to the Red Sea to the Gulf of Aden and out to the Arabian Sea.  From there you could head to all points beyond. 

 

There are links to the Mughal Empire, which was founded by Babur, who descended from Timur and Ghengis Khan.  This brings Turkic/Mongol/Persian connection.  I’m hoping to illustrate this on a map at some point.

 

So, the hat?

 

I would like to start making quilts again.  I’ve gotten a bit lost in the research wilderness and want to find my way back to making and doing.  They are lovely little items; the scale isn’t too wild.  A good start.




Sunday, November 13, 2022

 So... It's been a minute since I updated and it's not because I haven't anything.  In the last 4 years I have:

1) Not found the magic yellow silk

2)Found other interesting silks from around the world

3)Written a research paper on Bengali kantha

4)Learned aari embroidery (like tambour embroidery but cooler)

5)Made my own little Bengali kantha

6)Made more regalia than I care to list but might anyway

7)New persona

8)Bought a house

9)Got married


Wednesday, December 5, 2018

Trust me...I'm a museum label

On this quest to make an Indo-Portuguese colcha a.k.a Indian embroideries made for the export market, I have bumped up against several issues.  Here is the first big one:

WHAT THE HECK KIND OF SILK?

Early in my research I found that most books say that the silk used is a wild silk called tussah that is naturally bright yellow.  Well I thought that was neat and went about trying to find this magical silk.

Well wouldn't you know...I can't find it.  I found soft shades of under cooked baked goods mostly ranging from beige to a slight pink.  To add insult to injury there are a million ways to spell tussah... I mean tassar ...you see what I mean.  Even the Europeans had no idea what it was called.  They called it lawne because they thought it was a vegetable product.

I did stumble onto something called muga silk.  It ranges from a cream to dark brown (which is very slubby and kind of looks like someone spun the hair they found on the salon floor).  Most examples are a pale honey color.  Occasionally I found references to Assam silk which can refer to muga, eri or white pat.  Where is my magical yellow silk?

So yellow...So magical...

The museum and book labels are no help.  No help at all.  They just seem to call the silk what ever they feel like.  Maybe they don't know or don't care because I'm the only loon trying to find this stuff.

I came to these possibilities:

1) Tussah silk used to come in this color but climate change effected this or they fed the worms something special.
2) They dyed the tussah and sold the Portuguese a bill of goods.
3) They used bombyx mori and dyed it.  They also sold the Portuguese some magic beans.
4) Muga silk was used on some of the paler embroideries (some of them are less yellow)
5) A mix of these things.

My money is on #5.

So what are my options?  Will Rae: 1) pick an option 2) lose her mind with indecision 3) Buy all the options she can find and try them all?

My heart says find all the options and buy them.  Lay them out on the floor and roll on them like a silk hording dragon.  My brain says get a few options and try them.  Which leaves me actually losing my mind with indecision. 
I have a sickness



It can only be cured with yellow silk


Sunday, October 14, 2018

So what the heck am I making?

Here is a picture of a kantha I found on wikipedia because I'm lazy and this is a perfectly good example.
So why am I dancing around, poking awkwardly at the term "Indo-Portuguese colcha"?  Well lets start with the term "Indo-Portuguese".  It wasn't used in period, so that's one strike against it.  The Portuguese landed in Goa in west India and pretty much took over (more on that later).  They called this area Estado da Índia.  Creative, very creative.  A guy named Francisco de Almeida decided to build a fort there and there you ago, a Portuguese state...I know I'm over simplifying but it's for brevity.  What I'm saying Indo-Portugal isn't like a celebrity name mash-up like Beniffer.   It was a colony set up for making money not for sleepovers and braiding each others hair.  So calling something that was made by a colonized people a sort of cutesy nickname diminishes that fact that these textiles were made well before the Portuguese landed. 






The fast answer to what I'm making is an Indo-Portuguese colcha.  For the long answer keep reading and as a bonus there is a hurdy gurdy project I'm working on.  It's beautiful and involves a hammer.

The latest quilt beast is based on objects made in India (Bengal and Gujarat, Bengali examples being my main focus for this project) .  They are cotton with silk embroidery (it feels so wrong and yet...so right).  They depict a mix of scenes ranging from hunting scenes, nautical scenes, biblical tableau, Hapsburg double headed eagles, Greek mythology, giant snakes eating elephants and not to be ignored is the peacock eating regular sized snakes.  I mean they could be giant peacocks eating giant snakes but who knows.


The second term I take issue with is "colcha".  Yeah I know...it's just Portuguese for quilt.  Big whoop, a quilt is just a term for a fabric sandwich.  Well guess what?  Chicken butt.  I'm pretty sure that these come from the same tradition as the kantha.  A kantha is a way that old sari were used to make padded floor coverings to be used as sleeping or sitting mats.  I'm still trying to figure out if that's a fact or just the ravings of a crazy embroiderer.  So again, I'm trying to acknowledge the colonization by use of my language in describing these objects.  Is a kantha a quilt, yes.  Is a colcha a quilt, yes.  Is the word colcha used by the colonizers.  You betcha. 

So what am I going to call my newest quilt beast?  I don't know.  "Quilted embroideries employing aari technique, using native wild silk and made for the export market" doesn't exactly roll of the tongue.  Nor does, "Colonized India embroidered textiles".  So for now it's called quilt beast.

Now for the hurdy gurdy project!

Did you know gurdies require their wheels to be rosined?  They do!  And to make it is a sticky mess! The maker of the instrument said that my best bet is to use liquid rosin and I could make it myself.  I ordered so regular old rosin from the internet and examined it.
It say "Violins violas cellos" not hurdy gurdy...but is doesn't say that I can't

It was pretty color too...
shiney and candy like
Me, not wanting overkill selected an appropriate tool.

That's right! The correct tool is a cross-peen hammer!

Don't worry it's my small hammer and I thought the wedge shape could gently persuade the rosin out of it's case. So I gave it a love tap.  It did remarkable little damage.
Why are you so strong tree sap?!

Hoping a second love tap would break it free I gave it a try.
It crumbled into what looks like dust and pop rocks
The real kicker is that the stupid plastic rosin case was fine.  Like nothing had happened.  I scraped up what I could into a little jar and added rubbing alcohol.  Not the normal kind mind you, this is 99% alcohol 1% awesome. 


Look science!

The rosin is dissolving now and I will have to wait and see what happens.  I'm taking as a good sign that the jar and my hands are a sticky mess.  
The cat was judging me
So that was my science project for the day.  




Tuesday, October 9, 2018

Just what the world needs...another craft blog

So....


I have a habit of doing big embroidery projects.  Like 4'x5' size monsters that are white on white and look like a polar bear in a snow storm in photographs.  So introducing Quilt Beast II: The Low Contrast Embroidery Strikes back:



Any guesses?  If you guessed that Rae has slipped of the deep-end you would be correct.  Also a correct answer: Indo-Portuguese colcha (the term Indo-Portuguese is not the best, but more on that later) To add to the lunacy I won't be copying any one given colcha.  I don't ask musicians to play 'Free Bird' and I don't expect myself to reproduce a historical object just for the sake of reproducing a historical object.  I like to look at meaning that the symbols had historically, the materials and the people that made them.  By constructing my own embroidered story I hope to connect with people who have come before. I know this might make me sound like I'm fancy.  I'm not.  It just means that I find a shoe in a midden pit more interesting than the crown jewels.

A very interesting pair of shoes

So, in theory, I will be breaking down this project into bite size pieces (and not breaking down in a snot bubbling toddler).  

Wednesday, September 1, 2010

Miso Nikomi Udon

Found this recipe and made it.  Pretty tasty.

Ingredients:

  • 1 package pre-boiled udon noodles
  • 1 cup dashi soup stock
  • 1 oz. chicken thigh, cut into bite- size pieces
  • 2 slices kamaboko (fish cake)
  • 1/2 aburaage (deep-fried tofu), slice into 1/2 inch wide strips
  • 2 inch negi/leek, diagonally sliced
  • 1 1/2 Tbsp red miso
  • 2 tsp sake
  • 1 tsp sugar

Preparation:

Put dashi in a preferably earthenware pot and bring to a boil. Mix in miso, sake, and sugar. Add chicken in the soup and simmer on medium heat until cooked through. Add udon noodles and bring to a boil. Add aburaagenegi, and kamaboko and bring to a boil again. Drop an egg in the soup and cover the pot and stop the heat.
*Makes 1 serving